Showing all 26 resultsSorted by latest
Tired of guessing your way through repoussé? Stop struggling with incomplete tutorials and inconsistent results. This course gives you a structured, proven system to create high-relief metalwork with precision and confidence.
Tired of guessing your way through repoussé? Stop struggling with incomplete tutorials and inconsistent results. This course gives you a structured, proven system to create high-relief metalwork with precision and confidence.
Eastern repoussé and keum boo cuff bracelet, a three-dimensional interpretation of stylized Art Nouveau rose designs
Sterling & fine silver
2.25″ x 2″ x 1″, 18″ 2-directional double loop-in-loop chain chain
Unlock the ability to hammer silver, copper, or gold sheet into any shape or design through the ancient metalsmithing technique of Eastern Repousse and Chasing.
Eastern repoussé and mokume gane wine bottle stopper Sterling silver, copper, shibuichi, brass, neoprene
Susan Urquhart, Lulubug Jewelry
Eastern repousse neckpiece of sterling silver with wax pigment, inspired by a bouquet of spring tulips
The leaves articulate to create a gentle curve around the neck. The center section was hammered from one single sheet and took over 120 hours of refined hand hammering to achieve the detail of the overlapping petals and leaves.
Permanent, pigmented wax in the recessed areas and finely chased lines adds a subtle hint of color. The result is durable and imminently wearable. Because of the tensile strength of the Eastern repousse technique, the necklace is surprising lightweight and comfortable.
Eastern repousse bound, one of a kind, long stitch book, hand lettered and mixed media over archivally printed photo montages of original collages
Copper sheet, washi and hot press watercolor papers, inks, watercolor, gouache, linen thread
Earrings of Eastern repousse patterned mokume gane with French tools
sterling silver, fine silver, copper, shibuichi, carnelian
These earrings are very lightweight! To create their unusual surface design, I blended the ancient technique of Eastern repoussé with the Japanese technique of mokume gane. I did all of the free-hand hammering with unpatterned mokume gane, a fused sheet made from layers of sterling, copper, and shibuichi. Once I had finished the Eastern repoussé, I ground the surface hammer marks to expose the resulting cross section of the different metals. The richness of the patina adds to the glow of the carnelian cabochons.
2-1/2″ x 5/8″ x 1/4″
Russian Filigree, High Relief Eastern Repoussé, and Roman and Original Vertebrate Chain halter Sterling Silver, Fine Silver, copper 18 ” long x 40″ wide x 3/4″ deep, all chains are adjustable to fit most any size
High relief Eastern repoussé cuff bracelet from dimensionally patterned mokume gane
Sterling silver, copper, shibuichi
Fits a small wrist
Original pattern Vertebrate chain bracelet with a clasp of Eastern repoussé from the Japanese alloy shakudo.
fine silver, sterling, shakudo
8″ long x 7/8″ wide x 3/8″ deep (fits as a 7″ bracelet)
Links can be added or subtracted for sizing. The shakudo is flame patinated and sealed to protect the color.
Eastern repousse, kum boo, and Vertebrate chain necklace
22K, 24K Gold, Sterling Silver, Fine Silver, Dolomite
Eastern repoussé pendant from dimensionally patterned mokume gane, Roman chain
Sterling, copper, shibuichi, 22k gold, fine silver, Koroit opal
Eastern repoussé, chased, kum boo, and engraved amulet, Suspended from a Roman Chain
Sterling, fine silver, 24K, 22K Gold, Koroit opal
Eastern repoussé, Russian filigree, kum boo, and Vertebrate chain necklace with a natural Koroit opal set in 22k gold
22k, 24k gold, sterling, fine silver, Koroit Opal
Center portion: 3-1/4″ long x 3″ wide x 3/4″ high, total inside length 20″
Eastern repoussé pendant from dimensionally patterned mokume gane with kum boo, suspended from a Roman chain
fine silver, sterling, copper, shibuichi 22k, 24k gold, Koroit opal
