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STAY INSPIRED WITH ART, JEWELRY, TOOLS & COURSES     Subscribe

January 25, 2024January 25, 2024

It’s Time To Celebrate!

Current Projects / Eastern Repousse / Exhibit / Filigree / Inspiration / Online Courses / Russian Filigree / Teaching / Tools & Supplies
Underwater Landscape III, Eastern repousse business card case
Underwater Landscape III, Eastern repousse business card case

2024 marks my 35th year as a professional metalsmith!

To celebrate, I’m launching 2 huge projects!

One is a retrospective of my artwork with insights and highlights about my most significant pieces from each year of my journey. This will be experienced both online and in print, so wherever you are, you’ll be able to participate. Look for details coming in the late spring.

The other project is something I’ve wanted to pursue formally and more holistically for three decades. I’ve sought out ancient and medieval metalwork in all my treks and travels, sometimes as the primary focus and sometimes as “museums on the way to the airport,” cramming in visiting collections and artifacts when, where, and however I could.

As a maker, I see things that others often don’t. I see the commonality of techniques and technologies that are often overlooked in the discussion of objects’ imagery, designs, and iconographies. I see that the way an Eighteenth Dynasty amulet from Egypt was made relates to the way an Anglo-Saxon saddle ornament was created even though they don’t look alike and were made almost two thousand years apart.

My aim is to research the dissemination of metalsmithing techniques through ancient and medieval cultures with special focuses on Eastern repoussé and granulation (and granulation that gets categorized as filigree).

Possible scabbard fittings from the Staffordshire Hoard, The potteries Museum and Art Gallery, Stoke-on-Trent, UK
Possible scabbard fittings from the Staffordshire Hoard, The potteries Museum and Art Gallery, Stoke-on-Trent, UK

There will be conversations, papers, and videos discussing and documenting my findings. It will take several years (if I’m speedy). Yes, as projects go, it’s a bit…huge, but it’s also about time.

Because of the magnitude of both these projects, I won’t be offering the same course schedule next year. There will be a few classes, but not in January. Twice I’ve launched winter classes with early bird sign ups while being away from the studio during the holidays, and I don’t have it in me to repeat the adventure a third time! Honestly, getting ready to teach a course, getting the word out, getting the course dashboard and the many materials ready, and communicating the all the details of how it works is way way way more work than actually teaching.

My school is here to stay, but my schedule is a wild card! If there is a course you’re interested in taking, don’t wait. It might not come back around next year.

In other news

About my iMakeJewelry iPhone™ app:

Victoria's iMakeJewelry App for iPhone™
Just a few of the functions of my iMakeJewelry App

Good news for those of you who patiently, or frustratedly, wondered why the spot prices haven’t been loading on the home screen: They’re back! Finally!

Kitco had some issues with their own site that stopped third party sites and apps from loading the charts, but they’ve fixed them at last. Thanks for your patience.

Have an iPhone or iPad but don’t have iMakeJewelry? Get it here.

Almost finished - roses from the Eastern Repousse Floral Module
Almost finished – roses from the Eastern Repousse Floral Module

My Eastern Repoussé Extended Online Course has officially opened. Students can now watch the demos and begin working. Our first live Q&A session is this Friday at 1pm Eastern (New York time).

Sign up before it’s too late!

This is the course where we deep dive into all the details of Eastern repoussé from the basic steps through to advanced processes like overlapping, extreme undercutting, and multi-layered relief all from one sheet of metal. I keep adding new modules and projects, so even if you’ve taken my in-person courses or my online course early in the pivot, there is lots of new content!

Cylinder Sheath of King Aspelta, Nubian metalwork
Cylinder Sheath of King Aspelta

Last summer I became obsessed with chasing on tubes and cylinders after seeing the Cylinder Sheath of King Aspelta, part of the Nubian gold work exhibition at the High Museum when it was on loan from Boston Museum of Fine Arts. I’ve spent much of the last 6 months figuring out the ways such work can be accomplished both in antiquity when tubing would have been seamed and now when it can be purchased seamless.

Inspired by my investigations, I’ve added a bonus module to the current Eastern Repoussé Extended Online Course that covers chasing on tubing! These can be used for beads, amulets, or pen barrels. Warning: Chasing on tubing is addictive!

This fall, I’ll teach Eastern Repoussé II: Rings & Cuffs once again. The prerequisite for that course is having studied Eastern repoussé with me (studying chasing and repoussé with anyone else won’t get you in this course).

Please note: I won’t offer the Eastern Repoussé Extended Online Course next January. I’ll offer it and my Eastern Repoussé II: Rings & Cuffs again in the coming years, but neither is slated for 2025.

3D Filigree is starting next month.

Fire Within, gold and silver, 3D filigree necklace

This is the course where I break down, step-by-step, exactly how I create the gravity and physics-defying filigree for which I’m known. This is where I teach students the ins, outs, positives, negatives, and secrets of creating these kinds of design of their own.

And finally…

Starlit Nights, Russian filigree earrings by Victoria Lansford; photo by Pat Vasquez-Cunningham
Starlit Nights, 3D filigree earrings in platinum-enhanced sterling and fine silver around platinum bonded dresses

Get something you love for Valentine’s Day!

Whether artwork, courses, or tools, get something you’ll love for years to come, long after the flowers have faded and the chocolate has vanished.

Fact: none of my artwork, courses, or tools contain any calories!

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Post Tags: #chasing#Creativity#eastern repousse#filigrana#filigree#metalsmithing#nubian metalwork#repoussé#staffordshire hoard

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Victoria Lansford

Victoria Lansford is an artist and educator who combines historical metalsmithing and illumination processes with cutting edge technology to create contemporary interpretations of centuries-old craft forms. With a creative career spanning over 30 years, her genre-busting and award-winning art explores feminine power and ranges in scale from intricate art jewelry and miniatures to architectural metalwork. 

What Others Are Saying

A gift to find both the artist and the work so inspiring

"I briefly survey a wide variety of newsletters, but rarely read more than the preview text above the fold so to speak.
You, on the other hand, are solidly, beautifully, and with great respect for your audience, delivering “The Goods” with every newsletter. And on a topic that is very much my central thing. - The journey of bringing your own soul's beauty and truth into form to share with others.
Thank you for your generosity of the creative spirit! It’s a gift to find both the artist and the work so inspiring.”
Lawrence Kampf
Founding partner, Nova Earth Institute
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