Crafting an Artful Life: Imaginative Musings on Creativity

Cynthia Eid Working At Vise-mallet-sinusoidal_stake
/ /

Working with Masters and Singing with the Beatles

The first time I taught at Metalwerx in Waltham, Massachusetts, Cynthia Eid volunteered to be my teaching assistant, so she could test my techniques with Argentium® silver. As I said to the students in that workshop, having Cynthia TA was like having the Beatles as my backup band. Cynthia had long before discovered the educational value…

Rauni Higson and Victoria Lansford at Rauni's Studio in Northern Wales, UK

Galaxies of Inspiration and Whorls of Ideas

In late 2021, I had no idea how exponentially my life in and out of the studio would soon change when professional development instructor Jessica Abel said to Rauni Higson and me in a Zoom call, “How do you two not know each other?” It was a fair question. When Rauni and I recognized the…

Imagination Bodies Forth, Eastern repousse copper bound artist book with hand lettering (being shown by Victoria)
/ / /

Immortalizing Moments in Metal + Big Announcement

Highlights from the exhibition Radiant Echoes My retrospective Radiant Echoes showcases 100 unique works of art, which are approximately 10% of the total body of metalwork I’ve created since I began in 1989. Now that all the exhibition’s gallery rooms are open, this winter and spring I’d like to share a few of my favorite…

Tangle of Ties, Eastern repoussé brooch, commissioned by and based on a painting by Kevin Cole
/ / /

Pushing Beyond “Bumps on a Background” – What Changed My Repoussé

With repoussé, I always felt driven to take full advantage of the technique by making the relief appear intertwined and dimensional. However, like most artists practicing chasing and repoussé, I primarily first created what I now think of as “bumps on a background.” My intention is not to sound patronizing; some of the greatest repoussé…