The Material of Myth and the Biggest Bang
Last week I learned that the recent full moon coincided with Imbolc, the Celtic festival that serves as the halfway point between the shortest day of the Winter Solstice and the Spring Equinox. Imbolc is also known as St. Brigid’s day. Brigid (Ffraid in Welsh) is the patron saint of Metalsmiths, including the “bright smiths” as the Irish call those of us working in the bright metals of gold, silver, bronze, and copper.*

I find much inspiration in so many cultures’ mythology, and I never tire of connecting the dots between such stories’ evolutions or connecting the similarities of myths between regions and eras that might not have been known to each other.
Joseph Campbell famously said, “The material of myth is the material of life,” in his days-long interview with Bill Moyers decades ago. Rather than clinging to misguided notions of history or ‘fact’ in myths, I find what they truly reveal is humanity’s need to create meaning from the inexplicable.

Being an absolute nerd for all things to do with Arthurian myths, I named the box after one of my two favorite versions of the tale, The Once and Future King by T. H. White (the other is The Mists of Avalon). My very practical reason was that I kept changing my mind, pushing up the
relief and countersinking the Eastern repoussé top, defying the laws of physics, and even remaking the box. It had been a box, and I knew
it would be a box again one day, though across the 3 years I worked on it, it seemed forever in progress.

We metalsmiths notoriously crack jokes about making an offering to the solder gods before flicking on a torch because we know that, no matter how carefully we practice our art, flame and heat are largely predictable yet ever imprecise. There is always an element of chance that things might or might not go our way. The metalsmith’s skill is in learning to set ourselves up for success then dance with the risks and play them, whenever we can, in our favor.
I love the idea of being a “bright smith!” Not just because I’m a magpie at heart or because of the play on words, but also because the reflected light that bounces off our artwork tells an epic of persistence and hope.
And we could all use a lot more hope right now!

What could be brighter than the feel of hammering without training wheels to perpetuate a 5500+ year old legacy?
The biggest thrill for me as an educator is feeling that I have midwifed others’ expansive creative expressions, especially when people use the skills I teach them to achieve more than they might have believed possible.
Create Eastern repoussé cuff bracelets and rings in designs of your own as these amazing past students of mine have done!


Course begins September 25, 2024 February 13, 2026 with immediate access to the first demonstrations.
Over 11 hours of detailed demo videos that include
- How to design each project
- The Complete Ring Process at Your Own Pace
- How to Create a Ring with a Stone
- The Complete Cuff Process at Your Own Pace
- How to Translate the Concepts into Your Own Designs
- Successfully Folding Complex Edges for Visual and Structural Integrity
- Exactly how to do Keum Boo on Cuff Bracelets
- PLUS OVER 10 HOURS OF LIVE, RECORDED Q&A COACHING CALLS
All Zoom sessions on Fridays, 1:00 PM – 2:30 PM EST via Zoom
Friday, February 20, 2026
Friday, February 27, 2026
Friday, March 6, 2026
Friday, March 20, 2026
Friday, April 3, 2026
Friday, Aril 17, 2026
Friday, May 15, 2026 – Final capstone live session
Course access to all demos and live session recordings plus support from Victoria through September 30, 2026
Yes! You can skip the high cost of silver and make your cuff in lovely (and bright!) copper.

*Thanks to Seamus Gill via Rauni Higson for the info on St. Brigid.
