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March 19, 2021March 19, 2021

Spring Beauty…March Sadness

Behind the Scenes / Calligraphy / Current Projects / Inspiration / Painting / Workshops
Victoria Lansford - studio tulips in vase by Chris
Studio tulips in a fabulously blue vase thrown by my husband Chris

Spring is here in Atlanta with the trees in my backyard budding, the few flowers that have survived our dogs blooming, and the splash of purple from my neighbor’s redbud tree making me do a double take every time I look out the kitchen window. I love that color prevails! We are so fortunate to have groceries delivered. After months of denying myself the pleasure, I began clicking ‘add to cart’ on whatever reasonably priced, cut flowers I could get. They are part of what keeps me sane in captivity.

Spring also means the return of Sketchbook Revival! It’s fabulous, inspires me to get out all my squirreled away art supplies, and is free.

Victoria Lansford - practice for Heather Held's classes - spring egg & Schmincke metallic watercolors with Held Pen and sable brush
Practice for Heather Held’s classes – spring egg & Schmincke metallic watercolors with Held Pen, vintage nib, and sable brush
Victoria Lansford - watercolor palette and monochromatic floral practice for Heather Held's classes
Watercolor palette and monochromatic floral practice for Heather Held’s classes

As I continue on this journey of Shiny Online Workshop Syndrome, I’m amazed at just how much is out there. Some of it has been around for sometime, but never has it felt more accessible or more needed. I’ve just finished up another series of private lessons with my amazing teacher, friend, and near twin Heather Victoria Held. I’ve delved into the exquisite, highly flourishable script of Italian hand, a 16th century style of writing that is the first script that resembles our own cursive writing. It’s definitely not ‘italic,’ if that’s what you’re picturing. It’s also one of the first styles to be hand engraved onto copper plates for printing. It’s characteristic ‘blobs’ and ink blots in unexpected places, contrasted with whispery hairlines make it my new calligraphic happy place. That I’ve found purple and peacock iron gall inks doesn’t hurt either.

Victoria Lansford - Italian hand practice for Heather Held's classes
Italian hand practice

For my own endeavors, online teaching is going extremely well, and I’m not likely to go back to in-person teaching for anther couple of years or so. I miss the fun of being with people in person and those times of getting to know people beyond their metal skill set when a class would go out to dinner together. There is something amazing happening in online classes too though that I would not want to give up. It turns out that people often level up more quickly when they get to try things in their own studios.

Eternal Spring, Eastern repousse necklace
Eternal Spring, Eastern repousse necklace of tulips and leaves; photo by Pat Vasquez-Cunningham

My Eastern Repousse & Chasing class in May, hosted by Silvera Jewelry School is now full with a waiting list just started. Last week’s Rotating Bezel Ring workshop hosted by Metalwerx went fabulously with lots of good work from enthusiastic students.

Hydrangea in my back garden, photo by Victoria Lansford
Hydrangea in my back garden, photo by Victoria Lansford

March is not without sadness, however. Last post, I shared a few of my memories of my art-mom/godmother Bobbie Crow who passed away March 4, 2017. This week, my favorite great aunt Delores Edens, whom my son always called “Aunt D,” passed away peacefully and, mercifully, from old age. My thoughts are with her son, daughter, granddaughter, and great-grandchildren and with all of us who have spent the last year mourning that it wasn’t possible to see people we love, one last time.

Chris Balch - recent kiln firing
The gorgeous results from my husband Chris Balch’s recent kiln firing

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Victoria Lansford

Victoria Lansford is an artist and educator who combines historical metalsmithing and illumination processes with cutting edge technology to create contemporary interpretations of centuries-old craft forms. With a creative career spanning over 30 years, her genre-busting and award-winning art explores feminine power and ranges in scale from intricate art jewelry and miniatures to architectural metalwork. 

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A gift to find both the artist and the work so inspiring

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Founding partner, Nova Earth Institute
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