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March 17, 2022March 18, 2022

The Love of the Craft

Art Jewelry / Behind the Scenes / Illumination / Inspiration / Workshops

Have Hope

Looking for some spring inspiration and new ideas?

On March 21–25, Metalwerx is hosting its 2022 Virtual Spring Symposium! There are educator and student discounts as well as full scholarships available. 

Metalwerx is hosting its 2022 Virtual Spring Symposium!
Metalwerx is hosting its 2022 Virtual Spring Symposium!
Victoria Lansford - morning journal line and wash florals
Morning journal, line & wash florals

The Love of the Craft

At the final session of an online course I took on Turkish illumination techniques, one of the students asked the instructor Ayesha Gamiet, “When you were a beginner, what kept you from getting frustrated and quitting when you looked at advanced and inspirational work?“

Ayesha’s reply: “The love of the craft.”

Perfect answer!

It reminded me of how much trouble I got in with my fellow students when I was in my very first beginning metalsmithing class way (way way) back when. For that first quarter of college, I lived much farther away from College of the Art’s downtown GSU campus. Whether to sit in rush hour traffic or work late in the metals studio every day was a total no-brainer.

Armed with an economy saw frame (the only kind available back then) and some cheap 2/0 saw blades (all I could afford), I sawed my heart out every day. Tons of techniques later, I confess sawing is not my favorite thing to do, but at that point it was all I knew how to do, and it was mesmerizing! I was so taken by the improbable fact that brass and copper sheet could be cut to my will with a blade so small I could barely see the teeth. The more I did it, the more I loved doing it, and the better I got at it.

That’s when I got into trouble with the other beginning students. They complained to our professor that I was raising the bar too high for them to compete since they didn’t have the same amount of free time. First of all, how utterly and pathetically bitchy. Second, “free” was relative since being in the studio for 2 hours then driving after rush hour got me home only 45 minutes later than if I’d left after classes and sat in the parking lot known as I-75 for 2 hours.

Ah, the thrill of being an art student – be good, but not too good, and for goodness sake, don’t be passionate about what you do because that is sooooooo pre-postmodern. Fortunately, I’d been trained by high school bullies not to expect much solidarity, so, while my expectations for metalsmithing were super high, my expectations for lifelong college besties was low.

Being passionate is being rebellious! And if you’ve been a reader for long or looked at any of my work, you’ll know I’m both in equal measures. I could have slugged through practicing because you’re supposed to like a bored child taking piano lessons, because it’s required, because someone thought putting in 10,000 hours at something sounded like a good sound bite. Instead my passion and love of the craft kept me doing it, not because I told myself I should but because I loved it so much I couldn’t stop.

Eastern Repousse Pendant in Progress During Class
Eastern Repousse Pendant in Progress During Class
Peacock Splendor III, in progress miniature illumination, based on the photo I took of the peacock at Los Poblanos
Peacock Splendor III, in progress miniature illumination, based on the photo I took of the peacock at Los Poblanos; watercolor, ink, 24k gold leaf on animal skin vellum

Imagine if you removed the ‘shoulds’ and the guilt from something you want to do. Imagine skipping the critical voice in your head that says you should already be good at something the instant you learn it. Imagine if you didn’t put pressure on yourself to turn out a perfect finished piece while learning a new technique because you’ve got a show coming up or a gift you need to make for someone. Imagine if you allowed yourself to get good at something just because you love doing the process.

Radical.

When the world feels upside down, it can feel a little nuts and even self-indulgent to think about making art, but if we creators have learned anything in the last two years, it’s that making art during these times is vital. For artists, not being creative is crazy making, and when the world is upside down, what it doesn’t need is more crazy people.

Ornamental line chased, step bezel pendant with azurite-malachite
Ornamental line chased, step bezel pendant with fine silver and chrysocolla

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    Beginning Filigree and Beyond Online Course
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Victoria Lansford (and dogs)

Victoria Lansford is an artist and educator who combines historical metalsmithing and illumination processes with cutting edge technology to create contemporary interpretations of centuries-old craft forms. With a creative career spanning over 35 years, her genre-busting and award-winning art explores feminine power and ranges in scale from intricate art jewelry and miniatures to architectural metalwork. 

What Others Are Saying about Victoria's Writing

A gift to find both the artist and the work so inspiring

"I briefly survey a wide variety of newsletters, but rarely read more than the preview text above the fold so to speak.
You, on the other hand, are solidly, beautifully, and with great respect for your audience, delivering “The Goods” with every newsletter. And on a topic that is very much my central thing. - The journey of bringing your own soul's beauty and truth into form to share with others.
Thank you for your generosity of the creative spirit! It’s a gift to find both the artist and the work so inspiring.”
Lawrence Kampf
Founding partner, Nova Earth Institute
Flip through Radiant Echoes: The Metal Mastery of Victoria Lansford
Flip through Radiant Echoes: The Metal Mastery of Victoria Lansford

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