Books are wildly intimate things. Books can be funnels: small openings that lead into larger spaces. From the moment I open one, I sense an unfolding that draws me into a portal that expands my sense of time.
Creating books, however, has an opposite effect. Imagine starting at the open end of the funnel and having to compress all the information that narrows to the opening…
Enter the gallery room for highlights of the artwork I created between 2005 and 2009, when the familiar spirals began to get a new twist with increasing dimension in both form and style. These were years of continued experimentation when I pioneered Eastern repoussé cuff bracelets and began measuring filigree wire in miles instead of feet.
Victoria Lansford’s Prospera collection (1991-2024) is comprised of nearly forty works and includes rings, cuffs, pendants, brooches, amulets, chains and other objets d’art including a Venetian Carnival mask. Lansford’s endless ability to conjure up so many different-but-related objects invites the wearer and viewer into her captivating and wondrous world.
Showcases the artist’s journey through over three decades of ground-breaking applications of historical metalsmithing techniques. With essays by Kate Bonansinga, Cynthia Eid, Rauni Higson, Elyse Zorn Karlin, Victoria Lansford, and Jane Milosch, with consulting editor Emily Zilber.
Welcome to the next gallery room in the Radiant Echoes exhibition! My post college years were when I delved into the inspirations that would continue to inform my career – from author Umberto Eco to jazz guitarist George Benson and Islamic calligraphy to the cosmos. Explore the highlights of where my evolving design sense met…
Welcome to the exhibition! Introduction Embracing Beauty One of the most important moments in the development of my creative life is decidedly not a romantic one: I was still on crutches, awkwardly hobbling inside from the mailbox to the sofa clutching the Georgia State University 1988-1989 course catalog. My barely healed, torn hamstring had rendered…
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