The first time I taught at Metalwerx in Waltham, Massachusetts, Cynthia Eid volunteered to be my teaching assistant, so she could test my techniques with Argentium® silver. As I said to the students in that workshop, having Cynthia TA was like having the Beatles as my backup band. Cynthia had long before discovered the educational value…
My artwork took on a new focus around 2010 when I learned of Dame Helen Mirren’s performance as Prospera in Julie Taymor’s film production of Shakespeare’s The Tempest.
Mindbogglingly quickly, the Earth has made yet another trip around the sun, and so this month marks 36 years since I began my journey as a metalsmith. Somehow 16 months have flown by since I began work on my exhibition and monograph Radiant Echoes to coincide with my 35th anniversary. Radiant Echoes evolved largely due…
I’m opening the digital doors behind the scenes to highlight the Eastern repoussé Turtle Doors, another piece from my retrospective Radiant Echoes that was hugely significant, partially because of the scale but mostly because I successfully pulled off something I’d never seen done before. It’s difficult for me to believe that it’s been eight years…
Highlights from the exhibition Radiant Echoes My retrospective Radiant Echoes showcases 100 unique works of art, which are approximately 10% of the total body of metalwork I’ve created since I began in 1989. Now that all the exhibition’s gallery rooms are open, this winter and spring I’d like to share a few of my favorite…
With repoussé, I always felt driven to take full advantage of the technique by making the relief appear intertwined and dimensional. However, like most artists practicing chasing and repoussé, I primarily first created what I now think of as “bumps on a background.” My intention is not to sound patronizing; some of the greatest repoussé…
These are the years when nuance and curiosity took priority over volume. I could level up both the dimensionality and the individuality of my work, while still filtering historical techniques through a contemporary lens. One of the best ‘coronabonuses’ of this time was my permanent pivot to teaching online. I spent countless hours developing an…
