Fixing to Get Ready
Toward the beginning of my serious calligraphic studies, I took both of Reggie Ezell’s year long workshops. Veteran calligraphers had long dubbed Reggie’s year-longs as trial by fire via dip pen and ink (and dry pigments, watercolor, gouache, gold leaf, gum Arabic, real vellum, etc.). As a total newbie, I kept my head down and…